印(🥀)度每年有(yǒ(📨)u )超(chāo )过(guò(🌥) )二(èr )万(wàn )宗(🤢)(zōng )针(zhēn )对(duì )女(nǚ )性的(😪)暴力罪案，平均每二十(🕛)二分钟就有(🍷)一名女性(🍊)被强暴(bào )，每(🕒)六小时(shí(🦓) )就(jiù )有一名(🥒)妇女因家(🕔)庭暴力丧命(🏷)。年轻的基(📖)层女警索妮(🕷)与(🤟)上(shàng )司(⛎)(sī )卡(kǎ )帕(pà )纳(🔈)(nà )在(zà(🦗)i )德(dé )里(lǐ )一(yī(🚿) )同接手(📧)调查不同的女(🍍)性暴力事(💦)件，在办案过(🔟)程中往往(🤒)遭(zāo )受到了(👺)重大(dà )阻(🖖)(zǔ )力，无日无(🌅)之的罪案(🆒)令她脾气暴(🍢)躁，做事方式偏离常(chá(🎖)ng )规(guī )，被(bèi )裁(cái )定(dìng )在(🥗)(zài )执(zhí )勤(qí(💰)n )中行为不(🙄)当，而私人生(🤯)活也影响(📠)到了她的职(👡)业表现，与(🕙)(yǔ )丈(zhàng )夫已(🎙)经彼(bǐ )此(👻)(cǐ )疏离，却要(🧓)被(🙏)迫面对(🚤)他突然的到访(😌)。印度电(♓)影少见的写(xiě(🚛) )实(shí )题(😮)(tí )材(cái )，以(yǐ )一(⛷)(yī )场(chǎng )一(📋)(yī )镜营造出(🏣)真实迫力(🏉)，将社会低下(💴)层女性受(🍠)到压迫的问(🗿)题(tí )表露(🗣)无遗。

The film centers on a man who has superpowers only one day a year.

曾(céng )經(👽)意氣風發的刑警豪哥(🥄)，數年前因一樁殺妻案(🍅)的偵辦(bàn )疏(🍗)(shū )失(shī )而(🍟)(ér )遭(zāo )受(shò(🤶)u )打(dǎ )擊(jī(🦄) )，再也不到前(🚘)線偵辦。突(🌲)如其來的『(👽)未成年少(🔺)女砍人案』，卻(🧞)再度將(📇)(jiāng )他(tā )捲入深(🗻)黑的漩(🗞)渦中。

A Bollywood superstar hires a prostitute for a night of passion. This one night changes the fate of five characters forever. The prostitute falls for the superstar's driver while she struggles to free herself from the clutches of her sociopath pimp. Meanwhile, the actor is blackmailed for his past transgressions and he seeks to keep his reputation intact by any means necessary. These two events collide into a violent conclusion where not everyone will survive.

这部电影(💧)的故事背景让人不禁(🍬)回忆(yì )起(🖕)(qǐ )《逃(táo )出(chū(🎷) )绝(jué )命(mì(🚍)ng )镇(zhèn )》。一位黑(🎏)人男性（(🏮)杰森·米切(🚧)尔饰）在周末的时候(😞)，因(yīn )为觉得周围(wéi )只(🥚)(zhī )有白人朋友所以觉(😪)得十分紧张(📅)。当然，这部(⛷)作品与乔(qiá(🚿)o )丹(dān )·皮(🏦)(pí )尔(ěr )去(qù(🎧) )年(nián )那(nà(🔥) )部(bù )符合大(🌫)众口味的(🔶)《逃出绝命镇》不(😥)同。智利(🔱)导演塞巴斯蒂(📝)(dì )安·(🌽)席尔(ěr )瓦(wǎ )是(🥞)一个古怪(📸)的人，他的电(💴)影如《女仆(😠)》、《水晶仙女(🈴)》、《肮(āng )脏(🐂)(zāng )的(de )婴(yīng )儿(❣)(ér )》都倾向(😒)于剑走偏锋(🐍)，故事开始会有点怪异(🦗)，而之后则会(huì )变得更(👔)加怪(guài )异(yì )。这种风格(🥩)对于《周末生(😥)日游》意味(🚡)着什么呢？(🚺)还不(bú )知(👫)(zhī )道(dào )。但(dà(🚽)n )我(wǒ )们(men )非(🔆)(fēi )常(cháng )期待(🍔)这种不确(🔺)定性，况且演员(🐳)阵容中(💁)还有克里斯托(🍠)弗·阿(✅)(ā )伯特、迦(jiā(🌟) )勒(lè )兰(lá(🎗)n )德里·琼斯(🔯),迈克尔·(🈳)塞拉和安·(🧕)道德。

It's summertime in a hot and empty Buenos Aires. Marcela's world is shaken when her sister dies, leaving her completely out of sorts. Still grieving, she must deal with clearing out her flat. One of her daughter’s young friends, Nacho, appears on the scene, eager to help, a presence which leads to shared road trips and adventures. During these confusing days, people and conversations from another time will mingle, prompting questions, while the imminence of everyday life closes in on her.